The difference between an album you love and an album you hate is often one or two cuts. Then I browsed in Norman Ault's anthology of Elizabethan lyrics. But when I listened-a widely recommended method for that perception of songs-I noticed affectations like "the naked earth beneath us and the universe above," and winced at the next-to-last couplet, which ends with a weak word for the sake of a weak rhyme. ![]() Reading the lyric of "The Boy With the Moon and Star on His Head," I was impressed by how unpretentiously it simulated early English poetry. My big problems with this record are no doubt why it's a hit: the artificially ripened singing, which goes down like a store-bought banana daiquiri, and the insufferable sexist condescension of "Wild World." B. ![]() Only later did I notice "Lady D'Arbanville" (his girlfriend), "Trouble" (too much for him), and "I Wish, I Wish" (a map of his soul). ![]() Buddha and the Chocolate Box C-Īs an admirer of "Matthew and Son" and "I Love My Dog," two rock songs we should have heard more of in 1967, I made Cat my token singer-songwriter when this came out-the melodies were memorable, the dry intimacy of the singing had a nice post-creative-trauma feel, and I liked "Katmandu," which was about the physical (rather than spiritual) geography of a religious quest.
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